Ming Lin sustains an interdisciplinary practice with work that seeks to address affective spaces fostered along the lines of mass production, tracing distributed networks as a means of surfacing new possibilities for cohabitation and collaborative practice. Documentary gestures and various curatorial and discursive initiatives are pursued with the aim of exploring bottom-up organization amidst the hegemony of global trade.
Contributors 2020
Moritz Morast is a musician & artist currently based in Vienna. In his pieces he likes to explore the idiosyncrasies of technical systems & social situations, through the methodology of improvisation and feedback processes, exploiting their flaws and difficulties, to create novel experiences by unraveling others aspect of their inherent nature.
Natalia Domínguez Rangel (NL/CO) composer/sound artist living and working between Vienna and Amsterdam. Domínguez Rangel’s music and sound work offers a varied mix of contemporary classical composition alongside electronics, synthesis, field recordings, ambisonics, installations and performance. Her work has been connected with architecture, in situ installations, acoustic ecologies and technology. She is interested how sound affects and resonates with an audience physiologically and psychologically, and how space makes us think of time, duration, medium, acoustics and architecture.
Nicolas Zemke is a freelance software developer and since 2015 active at Sea-Watch, a sea rescue organization. He oversees the NGOs IT and has implemented several small software solutions. As the situation in the Mediterranean in 2016 worsened and more and more NGOs became active in this area, he developed the concept for the search and rescue application, which gives the civilian rescuers a participatory coordination platform.
Nikola Brabcová graduated from the Painting Studio at the Academy of Fine Arts (Prague, CZ). A few years later in 2014, she co-founded the platform Prototyp which focuses on artistic and curatorial cooperation in the field of contemporary art.
Dr. Nishant Shah is a Professor of Aesthetics and Cultures of Technology and the Director of Research and Outreach at the ArtEZ University of the Arts, The Netherlands. He is a knowledge partner for the Humanist Development Institution Hivos, and a mentor for the Feminist Internet Research Network, at the Association of Progressive Communication. His new co-authored book Really Fake, is coming out in Fall 2020 with the University of Minnesota Press. You can find more about him at
We are ~zBlace, ~ccl & ~sayroe possibly more individuals in and around NotFoundOn.
Currently sharpening his artistically charged self-hosting skills as a sysadmin at servus.at, Onur Olgaç pursued his BSc. in Computer Science with an extensive involvement in Visual Communication Design. He started to focus on human perception and decision making processes in interaction design and the politics surrounding technology within artistic contexts as part of his MA degree, while actively fighting against digital oppression and for his right to privacy.
Özgün Eylül İşcen is currently a Ph.D. candidate in the Program of Computational Media, Arts and Cultures at Duke University, United States. Her dissertation examines the current applications of computational media within the context of the Middle East, thereby underlining wider flows of technology, culture, and capital. She has a background in media, film and soundscape studies. She has presented her work at multiple academic and art institutions, as well as published in a variety of edited book volumes, academic journals, and art catalogs.