Contributors
Rob Canning is a composer and sound artist. His work focuses on finding a dialogue between algorithmic system based composition strategies and intuitive/improvised approaches. He has worked with ensembles such as the London Sinfonietta, The Concorde Ensemble, The National Chamber Choir of Ireland and the Con Tempo String Quartet amongst others.
Rob La Frenais has been a curator and writer since 1979. Before that he made early video art and performance in the ‘70s. He founded Performance Magazine in 1979, which continues as Performance Magazine Live on social media. His other social media projects are Future of Transportation and Wild Rowing. Between 1997 and 2014 he was the curator of The Arts Catalyst, the science and art organisation.
Energy Electronics Technician
ROBOEXOTICA: Actively involved in the organization and robot construction since 2000
In her art projects, Robertina Šebjanič explores and works with various media such as video and spatial/ambiental installations and more broadly conceived cross-media projects. She had previously been featured as an independent author as well as in collaboration at many exhibitions and festivals in Slovenia and abroad. She is currently finishing her studies at the Academy of Fine Arts and Design (ALUO) and Famul Stuart – Applied Arts School, both in Ljubljana.
Robertina Šebjanič (1975) is an artist and cultural facilitator. In her art practice she is interested in humanist and natural science in the context of Bio-Art, AV performances and installation's. Her ideas and concepts are often realized in collaboration with other authors, and thus through interdisciplinary and informal integration embodies in her work.
Born in 1978 in Warsaw. In 2005, he graduated from the Academy of Fine Arts in Warsaw, the Multimedia workroom, and received his masters degree. In 2007, he started working as an assistant professor of the Multimedia workroom at the Academy of Fine Arts in Warsaw. In 2007 he set up Upgrade!Warsaw.
Roel Roscam Abbing is an artist and researcher whose work engages with the issues and cultures surrounding networked computation. He engages with themes such as network infrastructures, the politics of technology and do-it-yourself approaches. He holds a Fine Arts BA from the Willem De Kooning Academy and an MA in Networked Media from the Piet Zwart Institute in Rotterdam.