Lecture

From de-bug to in-bug

Submitted by davide on
Date
15.06.
Start
21:00
End
21:20

online lecture

In contemporary digital media, the 'detournement' of anomalous pieces of code into aesthetic quality (filtering) of what was perceived as error (glitches, interruptions, etc.) transformed a set of disturbances into quality (or more technically, the anomaly has been incorporated into the overall system).

We have witnessed, in the last ten years and thanks to the development of social media, the transition from “de-bug” to what we would like to redefine as “in-bug”.

 

(In)visibilities of Aerial Surveillance

Submitted by davide on
Date
17.06.
Start
19:15
End
19:45

Border Forensics is an agency conducting spatial and visual investigations into practices of border violence perpetrated by states, police forces, militaries, and corporations.

Working in collaboration with migrant communities and civil society organisations, Border Forensics documents and exposes the violence linked to the existence and management of borders with the aim to foster mobility justice.

In times such as these

Submitted by davide on
Date
16.06.
Start
11:00
End
11:30
Contributor(s)

Against the broader backdrop of unpacking 'debugging' from the strict technological connotation to a wider understanding in terms of knowledge creation and community building, Time's Up will examine its artistic practice (including artistic research as one of the arrows in the quiver) of experiential futures and their functionalities.

Analysis Paralysis and a Bag of Bad Ideas

Submitted by davide on
Date
16.06.
Start
10:30
End
11:00

In the face of multiple global-scale crises, what direction should we take as artists and thinkers? What can we do when all we have is a bag of bad ideas? What importance does art have when the earth is burning? There is a growing sense of paralysis: all available options seem inadequate, but we’re not about to give up.

Looking back at the proctoring eye

Submitted by davide on
Date
18.06.
Start
19:30
End
20:00
Contributor(s)

This project critiques a worrying turn in education during the pandemic, the increased use of intrusive surveillance technologies on students.

Technologies developed in defence industry, used to police and discipline, now also in the educational space to facilitate remote learning. We examine a case of student resistance to video proctoring during remote examinations and the university/faculty response to address only technical "bugs" while disregarding the extended pedagogical and socio-political issues these tools bring into learning environments.

The Evolution of Data

Submitted by davide on
Date
17.06.
Start
19:45
End
20:15
Contributor(s)

In this talk, I would like to talk about the practice of data as an investigative method. Data-driven investigations bring together a wide variety of disciplines and techniques. They combine code, design, and analysis and thus can not only extend previous forms of research but also develop and execute entirely new methodologies. I want to highlight different aspects of data-driven methods and their opportunities for systematic investigations and interdisciplinary collaborations.

Living in Electric Fields – 5G Environments are invisible

Submitted by davide on
Date
20.05.
Start
20:20
End
20:40
Contributor(s)
"Digitalization will come" - this is the mantra of our society. In recent decades the atmosphere of the city has changed drastically. The environment has been transformed into a high-frequency electromagnetic field by the increasing number of antennas. In my talk, I will use examples from art and technology to speculate on how the change in urban space and atmospheres can be grasped, but also why 5G is a perfect case for techno-criticism and conspiracy theories alike.

Being Rescued into the Greatest Emergencies

Submitted by davide on
Date
22.05.
Start
20:20
End
20:40
Contributor(s)
Art often works better than scientific announcements and philosophical treatises as a way to reveal emergencies. This is not because of artists’ ability to create beauty but rather for the intensity and depth of their works. The goal of this talk for Art Meets Radical Openness is to venture into these disclosures through the greatest emergencies. These are those emergencies we overlook, ignore, and discard. If the "greatest emergency" today has become the "absence of emergencies" how can we disrupt them? Why is art able to thrust us into these emergencies? And why must we be "rescued" into them in order to save us?

Tales of the Rare Earth - deep time and deep futures in the arts

Submitted by davide on
Date
20.05.
Start
20:40
End
21:00
Contributor(s)
Deep time is understood as the concept behind geological time: the history of the earth from its beginnings as a molten ball of matter until the present. Deep futures do not yet exist, they are a thought-vehicle to speculate within the probability space of a future earth.
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