The project Under the Calculative Gaze investigates how socially applied AI is not only directly intertwined with unresolved injustices of the prevailing socio-economic system, but actually enables
Program 2024
Thursday 09.05.
00:00 - 24:00
AMRO Showcases
at afo – architekturforum oberösterreich
Opening Hours: May 8th – 17th
Wednesday – Friday, 3 – 6 pm or individual appointments
In 2018, leading car manufacturers, taken aback by the advents of Google and Tesla, invested a lot of money in research on autonomous vehicles.
10:00 – 13:00
AMRO starts with a session dedicated to critical reflection about historical narratives, on the extractivism and colonialism of the cloud, as well as the possibile modes of reseeding resistance.
11:00 – 13:00
13:00 – 15:30
This workshop will give a brief introduction to the live-coding language TidalCycles and how it can be used for networked, collaborative creation of music.
14:00 – 18:00
Elliot Perkins, a member of the sound art collective Ultra-red invites festival's participants to consider the question What is the sound of the conflict we cannot hear?
14:00 – 17:00
Drawing from a conspiracy theory from the late 2010s/early 2020s, known as the Dead Internet Theory, which suggested that the majority of online content and interactions were
14:00 – 16:00
A session the relation of AI, open source, work and labor, ethics and content moderation. Moderated by Sabina Köfler
15:00 – 17:00
Saikei is Japanese art form of miniature planted landscape. This workshop will be about finding balance between plants and supportive electronic circuits .
pingpingpingpingpingpingpingpingpingpingpingpingpingping
how many emails does it take for you to finally get paid?
15:30 – 18:30
Learn how to collaboratively code music with Flok and Mercury.
17:00 – 18:00
In 2018, leading car manufacturers, taken aback by the advents of Google and Tesla, invested a lot of money in research on autonomous vehicles.
19:00 – 21:00
Netzpolitischer abend #71 / AMRO24 edition
hosted by Magdalena Reiter
21:30 – 02:00
Driven by synths, voice, electrosmog, radical glitches, media memories and techno frenetic soundscapes, this year's nightline looks into sociopolitical relations between body, spac